Acknowledgements

 

I owe a great debt of gratitude to Prof. Georg Hajdu for being by my side during my initiation journey in electronic music, algorithmic composition and multimedia techniques. In the past three years he has helped me integrate these new elements into my own thinking and showed me new ways of understanding composition. I would like to thank him for his patience and professional advices.

 

Also, I wish to express my sincere appreciation to Prof. Manfred Stahnke, Prof. Frank Böhme, Prof. Peter Michael Hamel, Prof. Andreas Hübner, Oliver Frei and Sascha Lino Lemke for the wisdom they shared with me.

 

Being able to write this paper and finish my Master's degree is due to my parents, who deserve my deepest gratefulness for supporting me every day of my life. Last, but definitely not least, I want to thank my brother for putting up with all my compositions for horn, and my girlfriend for being the pillar of help that I needed.